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Rhaenyra remains charmed by him, though it's Alicent for whom he asks favor. Rhaenyra, meanwhile, bestows her favor on a handsome Dornishman, Ser Criston Cole (Fabien Frankel). Viserys isn't pleased with his brother, and a tense argument reveals that Daemon despises his wife, Lady Rhea Royce, heir to Runestone in the Vale of Arryn. He spends no time in the Vale, preferring to be close to the royal family in King's Landing. During their argument, he takes shots at Hightower, with whom there is no love lost. Daemon retreats to his companion, Mysaria (Sonoya Mizuno), who comforts him after his lingering anger spoils their tryst.
Episodes20
Viserys hosts a tournament to celebrate the birth of his second child. The biggest issue on the table in this episode is who the king will marry so he can start trying for more children again (though he maintains that Rhaenyra will still be his heir regardless). He comes close to picking 12-year-old Laena Velaryon (Nova Foueillis-Mosé), but surprises everyone when he chooses Alicent instead. Rhaenyra is shocked, as is Lord Corly Velaryon (Steve Toussaint), who decides to ally with Daemon to fight the Crabfeeder in the Stepstones. It isn’t clear what effect Harwin’s death will have on the issue of his royal issue — is it better or worse for Rhaenyra, from an optics standpoint, now that he’s out of the picture?
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Alicent sends Ser Criston and Aemond (Ewan Mitchell) to collect him, while Otto sends two Kingsguard of his own, Ser Arryk (Luke Tittensor) and Ser Erryk (Elliott Tittensor) Cargyll. While Criston and Aemond check brothels, Arryk and Erryk come across the fighting pits where children are forced to battle each other. Some of the children are Aegon's illegitimate offspring, and he's a frequent attendee.
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But first we watched the new queen grow into her role as she set aside her anger — unlike Daemon, who reminded everyone how temperamentally unfit for ruling he is — and began making plans to consolidate her support. But it also applies to Rhaenyra, who, now that Viserys is gone, becomes this story’s head dragon in charge. See the full list of House of the Dragon cast and characters here. Because one problem with a story so overstuffed with incident and so singularly focused on one narrative — the “ugly game” of thrones Otto alluded to — is that all it takes is one misstep, one errant blade, to puncture and deflate the whole thing. That could make this show a bit dense to follow, but then again, we’re of the mindset that the more background a character can have, the better.
Battles and campaigns will take the show out of the castles that confined it for most of the first season — all those shots of the Painted Table perhaps doubled as a preview of the places we’ll go in Season 2. The conflict will also presumably boost the spectacle factor and eliminate the need for jarring time jumps. In Sunday’s season finale of “House of the Dragon,” that rule applied primarily to Arrax and Vhagar, who took the airborne bullying Aemond had initiated further than he intended. When the much smaller Arrax fought back against its tormentor by delivering a face full of fire — shades of his rider Lucerys’s de-eyeing of Aemond, the root of their rivalry — Vhagar retaliated with the chomp heard ’round the world.
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'House of the Dragon' Season 2: Everything We Know So Far - Esquire
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Alicent was apoplectic about her husband’s continued indulgence of Rhaenyra and understandably undone by Aemond’s injury. I was even almost willing to accept her crazy demand of a literal eye for an eye as a sign of her extreme distress in the moment — any parent, in Westeros or anywhere else, might say irrational things when confronted with her disfigured child. But the escalating silliness of her response, climaxing as the queen and princess traded barbs over the clutched dagger until Alicent finally drew blood, tipped the drama into farce. If watching the CGI dragons do their thing on Game of Thrones was one of your favorite reasons to watch, you will definitely be into the world of dragons featured on House of the Dragon. Co-showrunner Ryan Condal (who was also a self-professed GOT super fan before he got this gig) revealed during Comic-Con 2022 that this series features 17 dragons throughout its run. We’ll meet some of them in the first season and more if (when?) the series is renewed for future installments.
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Rhaenyra brings her and Daemon's two children, Aegon and Viserys, as well, to meet their grandfather. She asks her father to help her secure her family's place one more time. For one thing, Alicent and Rhaenyra now seem like completely different people. The young queen, a callow peacemaker as a girl, has grown angry and aggrieved. Meanwhile, the princess’ former rebellious streak has hardened into a kind of royal court realpolitik, even as she keeps having Harwin Strong’s children. George R.R. Martin explained in a blog post on February 20, 2022, how the series was developed from conception to assigning specific scripts for the first season.
While there were Hightowers getting kicked around in various ways — Viserys began the episode down two fingers and by the end had lost a whole Hand — the entire hour-plus was devoted to dragon-flavored psychodrama. While Rhaenyra tries to count her allies, Rhaenys refuses to declare that House Velaryon will ally with Rhaenyra until Lord Corlys arrives. Otto appears with terms of surrender for Rhaenyra, which will see her five sons given honorable positions.
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It’s just before the bloom starts to come off the rose,” he explained. It’s ten years later, and we have the same old Westerosi troubles. And yet episode six brings a markedly better narrative, some real bite to the major characters, and a slew of little tykes who just might start gutting each other before they come of age. House of the Dragon is hitting its stride with the kind of underhanded plotting and grotesque malfeasance we’ve come to expect from George R.R. Martin’s highborn — those that make it safely out of the womb, that is. Similarly, the decision of House of the Dragon’s writers to depict Martin’s chronicling of the Targaryen family’s fortunes largely through the suffering of childbirth comes across as gauche. It’s a narrow and reductive way to analyze the gender and power dynamics the show is genuinely interested in as it traces the fortunes of two women who become rivals.
Alicent asks Rhaenyra about it, and she denies sleeping with her uncle. Viserys accuses Daemon, who says it's true and that he should let him marry Rhaenyra. Viserys calls him a liar and sends him to the Vale to his wife. Alicent pleads Rhaenyra's case to Viserys, saying she believes Rhaenyra is still a maiden (which, technically, Rhaenyra never told her).
Viserys declares he won't be naming Daemon as his heir, ordering him to return to the Vale. Besides, there's others who desire the throne more than her. Her Uncle Daemon (Matt Smith, the perfect mix of caddish charm and teeth-gnashing malevolence), for instance.
Because of that history, anything set in the Game of Thrones world that comes after has a lot to live up to. But whether this show can ever reach the same heights as its predecessor remains to be seen. On top of that, the Game of Thrones final season left a lot of fans soured on the entire universe, and it’s amazing how quickly the show went from a zeitgeist-capturing global phenomenon to an afterthought. Not only will there be 17 dragons, but each dragon will have different colorings, personalities and riders. We envision it as that, only with Targaryens and their fire-breathers.
Perhaps, despite the slow build, that was too much to fit in this season; perhaps it will come. Perhaps, too, the show’s rather frequent and obvious callbacks to Game Of Thrones will ease off now that it’s established its own characters and identity. Djawadi could remix that Thrones theme to give this show its own sense of identity; judging by the rest of his superb score he has many new ideas to give. House Of The Dragon needs to move out of the shadow of its predecessor. It will still be plenty similar enough; the commissioners ensured that when they rejected the reportedly much stranger alternative pilot. To overcome the ick factor of the incest, House Of The Dragon has gone out of its way to make at least some Targaryens likeable.
Back at Storm's End, Daemon tells Rhaenyra about Luke's death, and, from her steely look, it seems she's ready to go to war. Aemond, Criston, and the twin brothers all find Aegon at the same time, but Aemond and Criston are the ones who grab him and take him back to the Red Keep. Alicent uses the fact that she has Aegon in her custody to get her father to promise to give good terms to Rhaenyra and not kill her family. She convinces Aegon that it's right for him to be king — even though he knows his father never wanted him to be heir — and Aegon is crowned at the Dragonpit.
The inbreeding is key to the downfall as probably the primary cause of the Targaryen madness described by the coin-flipping maxim. (At the very least, it keeps the madness in the family.) So that downfall is what we’re watching, blow by icky blow. While Alicent enlists Cole and Aemond to track down Aegon, Otto gathers the great houses of Westeros to affirm their allegiance. When Harwin and Lyonel return to Harrenhal, their rooms are set on fire, and they die. Larys takes credit for the act in a conversation with Alicent, claiming he did it all for her. A spy tells Ser Otto that Rhaenyra and Daemon were seen having sex in a brothel, and he brings that news to a furious Viserys.
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